OLD STYLE (1475)
Characteristics:
- wedge shaped serifs
- more upright stress
- horizontal crossbar
Fonts:
- Bembo
- Berkeley Old Style
- Calisto
- Garamond
- Goudy Old Style
TRANSITIONAL (1750)
Characteristics:
- thick/thin contrast increases
- serifs become thinner
- base serifs are barely or not rounded at the bottom
Fonts:
- Baskerville
- Concord
- Times New Roman
- Century
- Georgia
MODERN (1775)
Characteristics:
- sharp contrasts within letters
- strong emphasis on vertical stroke
- symmetry and sharp transitions to the straight serifs
- serifs are as thin as the thin part of the letters
Fonts:
- Bodoni
- Didot
- Walbaum
- Linotype Centenial
- Onyx
SLAB SERIF
Characteristics:
- little if any contrast between thick and thin lines
- Serifs tend to be as thick as the vertical lines
- usually have no bracket
- have a bold, rectangular appearance
- sometimes have fixed-widths
Fonts:
- Clarendon
- Rockwell
- Courier
- Apex
- Egiptienne
SANS SERIF FONTS
HUMANIST
Characteristics:
- short and thick bracketed serifs
- slanted cross stroke on the lowercase 'e'
- ascenders with slanted serifs
- low contrast between horizontals and verticals
Fonts:
- Verdana
- Calibri
- Allerta
- Gill Sans
- Tahoma
GROTESQUE (GOTHIC)
Characteristics:
- some degree of contrast between thick and thin strokes
- terminals of curves are usually horizontal
- terminals of curves are usually horizontal
- frequently has a spurred "G" and an "R" with a curled leg
Fonts:
- Headline
- Monotype 215
- Franklin Gothic
- Bell Gothic
- Akzidenz Grotesque
- Helvetica
- Univers
GEOMETRIC
Characteristics:
- same curves and lines are often repeated throughout the letters
- constructed from simple geometric shapes, circles and/or rectangles
- minimal differentiation between letters
Fonts:
- Eurostile
- Futura
- Avante Garde
- Erbar
- Neuzeit Grotesque
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